Sunday, August 31, 2008

the russian debutante's handbook by gary shteyngart

I've begun, sporadically, to go back and transcribe those passage in books that I've underlined while reading over the years. Since most of my books are in storage right now, this effort is currently restricted to those books read most recently and those books that have been forgotten somewhere in the recesses of my truck.

To begin with, a book that falls under the latter category. An hilariously wonderful story that manages to walk the fine line bordering clever and 'too clever for it's own good' without a single misstep.

A warning for this book in particular- my underlining does not do a single bit of justice to the witty candor of the actual thing.
He knows that people marked for greater things are often the least happy of all.
P. 96

He would have reached, all by himself, the final destination of every immigrant’s journey: a better home in which to be unhappy.
P. 97

During adolescence he dreamed of acceptance. In his brief days at college he dreamed of love. After college, he dreamed of a rather improbable dialectic of both love and acceptance. And now, with love and acceptance finally in the bag, he dreamed of money. What fresh tortures would await him next?
P. 112

“Death!” Vladimir’s Fear-Money gland was shouting. “Death is the opposite of money.”
P. 115

Few knew what to make of him; Vladimir accepted this. And what did Vladimir make of them? Well, to start with, they were a fairly homogenous group--white middle Americans with a fashinable grudge, that was the lowest common denominator. Native-born folks who never had to struggle with the dilemmas of an alpha peasant or a beta immigrant because five generations down the road every affluent young American was entitled to the luxury of being second-rate. And here in fairyland Prava, bonded by the glue of mediocrity, they stuck together as if they had all been born in the same Fairfax County pod, had all suckled the same baby-boomer shewolf like so many Romuluses and Remuses. The rules were only different for obvious outsiders like Vladimir who had to perform some grand gesture--conduct the Bolshoi, write a novel, launch a pyramid scheme--to gain a modicum of acceptance.
P. 214

The Joy was a vegetarian restaurant but beneath it lay a meat market of a disco where perennially hard-up regulars lured unsuspecting backpackers, many still sporting their Phi Zeta Mu T-shirts, into nights of forgetfulness and mornings of waking up on a futon in the nether reaches of Prava’s suburbs, trying to connect with an authority figure back in the States on an antiquated telephone that could barely reach out across the Tavlata. On Sundays they had readings.
P. 243

What fresh pathology was this?
P. 272

"Some even report having a renewed sense of self. Of course, that’s mainly the prose writers. They’ll say anything."
P. 287

The question was whether or not he was a good person.
“I have to preface this by saying I’m drunk,” he said.
“I’m drunk too. Just tell the truth.”
P. 290

This was a wrecked person. How else could some one be so clever and so stumped?
P. 303

“Russians are not keen on psychiatry,” Vladimir explained. “Life is sad for us and so we must bear it.”
P. 309

If there was something wrong with Morgan, what hope was there for a Soviet Jew-child like Vladimir Girshkin? She might as well have been saying that Tolstoy was wrong, that all happy families were not alike.
P. 311

There was a moment of relative calm as she made her way out of the auto, a moment Vladimir used to note that Morgan--despite all her absurd talk of panic attacks and lashing out--was really just a quiet, steady woman in cheap dress shoes.
P. 316

“It is possible to love two women,” Vladimir declared in answer to Plank’s question. “Especially when you only sleep with one of them.”
P. 325

A knowledgeable Russian lazing around in the grass, sniffing clover and munching boysenberries, expects that at any minute the forces of history will drop by and discreetly kick him in the ass.
A knowledgeable Jew in a similar position expects history to spare any pretense and kick him directly in the face.
A Russian Jew (knowledgeable or not), however, expects both history and a Russian to kick him in the ass, the face, and every other place where a kick can be reasonably lodged. Vladimir understood this. His take on the matter was: Victim, stop lazing about in the grass.
P. 347

He ran, absentmindedly wiping the blood off his nose onto the already bloodied hand bandage. He slapped his passport on the desk of the half-awake security team guarding the departure gate. At that formal moment, his briefcase, stuffed with about fifty thousand dollars and a gun, came to mind. “Oh, pardon me,” said the ever-vigilant Vladimir. He hobbled over to the nearest trash can, sheepishly took out the gun, and, with a shrug of the shoulders, deposited that useless item within. “Don’t even ask about the gun," he said to the nice, walrus-mustached gentlemen in dark green. “What a long day!”
“American?” said the security commandant.
P. 445

But, somehow, this city has persevered against the unkind seasons and the storms that gather speed over Lake Erie. Somehow, Cleveland has survived, with her gray banner unfurled--the banner of Archangelsk and Detroit, of Kharkov and Liverpool--the banner of men and women who would settle the most ignominious parts of the earth, and there, with the hubris born neither of faith nor ideology but biology and longing, bring into the world their whimpering replacements.
P. 451

SPOILER ALERT (as they say). The following is a direct transcription of the very last paragraph of the book.

And what of this child?
Will he live the way his father once did: foolishly, imperially, ecstatically?...
No, thinks Vladimir. For he can see the child now. A boy. Growing up adrift in a private world of electronic goblins and quiet sexual urges. Properly insulated from the elements by stucco and storm windows. Serious and a bit dull, but beset by no illness, free of the fear and madness of Vladimir’s Eastern lands. In cahoots with his mother. A partial stranger to his father.
An American in America. That’s Vladimir Girshikin’s son.

Friday, August 29, 2008

ha

Another round of "the world according to my brother."

He says this is one of the best songs in the world. And a damn good video too. Oh that kid.

Thursday, August 28, 2008

mainstream meta

Tomato Nation accurately captures my own sentiments toward Tropic Thunder. (I don't know about you all, but I had a hell of a good time. Though I had been drinking.)

internet schmiternet

Told ya!

Wednesday, August 27, 2008

i'm still not joining though

The Aaron Sorkin internet foray is far from over! This just in, he's writing the facebook movie. In preparation, he now has his own facebook page.

(Some people have questioned whether this is really Sorkin or not, and though there's a small chance it's not, all my industry peeps say this is the real deal.)

1962 is back

Still loving Mad Men with all my heart. Best line of the last episode? So many to choose from, but gosh did I feel a slight tingle at:

"This is America. Pick a job and then become the person who does it."

Tuesday, August 26, 2008

Friday, August 22, 2008

ever been to kuwait?

Jess Lampe updated his photo blog!

Love that kid.

in excelsis deo

Some one in the writer's room today mentioned they knew Rick Cleveland. Wow does that take me back.

An explanation: Way back when, there was something of an infamous (if you're in TV) online argument between Rick Cleveland and Aaron Sorkin. Sorkin was being a drugged up asshole (mind you, he's still one of my heroes) and Rick was trying admirably not to get squashed by said asshole behavior. A lot of this argument took place across various publications (the New York Times, for instance) and also on live television at the Emmy's. But a lot of their interaction during this time actually happened on an online message board, of all things, over at Television Without Pity (which was back then called Mighty Big TV) and which I got to witness happen in real time (yes, I've been kicking around TWOP since I was 15- what of it?).

You ever drunk emailed some one? It was like watching some one do that, only then send it to the entire world. And all I could do was sit back, watch and shake my head.

Sorkin later had this to say about it (via tvguide):
Sorkin admits that he made a mistake by posting his thoughts on the Internet. "I should have counted to 100" before logging on, he says. "I realize that doesn't matter how angry I am about all this; I made a guy I like feel very bad. I'd gone below the the belt in assessing his work. So I thought if I post an apology maybe he will see it. And in my naïveté about the Internet I thought around 12 people would see [all of] this."
Anyway, courtesy of The West Wing episode guide, here's the gist of the conversation that happened between them (minus all the posts from people who don't matter).

To reiterate: Fans of The West Wing were talking about the dispute between the two writers on a message board. Aaron and Rick both happened to be reading this and then one of them got it in his head that it would be a good idea to post a reply to all these people and give them the real story. Hilarity then ensued in the form of every media outlet in the country finding out and bitch-slapping the both of them.
On most TV staffs, stories are pitched, broken and outlined by a group, then assigned to the various writers on the staff, then polished by the show runner. That's not the way it works here. I write the scripts with the enormous help of a staff that provides research and kicks ideas around with me as well. It's like a new play being written every week. They work really hard and do a great job and they're all going to write their own scripts one day, so by way of a gratuity, I give them each a Story by credit on a rotating basis. That credit comes with money.

That said, they're paid as if they were writing scripts (and some of them have producer titles as well--simply based on what they were getting at their last job.) We're under a tremendous budget crunch here. I know it seems, with the success of the show, like we should have all the money in the world, but it doesn't work like that. People were let go in all departments; grips, gaffers, props, hair and make-up, set dressing, post-production ... And the cases of a few writers (whom I'm very fond of) their contracts called for them to get bumps which would have been very difficult to justify given their job descriptions. Their contracts also give us the option to not pick up their option, which Tommy, John and I didn't want to do given their loyal service to the show and our personal friendships with them. So we asked them if they'd be willing to stay on at their current salaries, supplemented by the money they'd get from story credits. In no way a violation of the Writers' Guild contract, in spirit or otherwise. John, I assure you, would never do that.

The two who left are both gainfully employed on other shows. In fact there was a bidding war over their services. Those who stayed seem very happy they did.

All of this was explained by any number of people to Bernie Weinraub at the New York Times. Bernie Weinraub, it would seem, is very casual about the truth.

Finally, on a vain and selfish note: In the first season, I was doing both The West Wing and Sports Night at the same time and I wanted to try seeing if The West Wing could run like a normal TV show. I gave a staffer named Rick Cleveland a script assignment. He wrote a script called "A White House Christmas" wherein the First Lady's cat trips a Secret Service alarm. I can't much else except mention was made of a business card found in an old coat of Toby's that he'd donated to Good Will. I threw out Rick's script and wrote "In Excelces Deo." Because Rick had worked for months on his, I gave him, rather than a Story by credit, a co-written by credit and put his name ahead of mine. For my script, he received a Humanitas nomination, an Emmy Award and a Writers' Guild Award. Every Emmy nominee gets a letter from Don Mischer, the producer of the telecast, very clearly saying that only one person is allowed to speak when accepting. After that person is done, the orchestra will play you off. Rick could'ce done the St. Crispin's Day speech that night for I cared. It wasn't my call.

This, too, was explained to Bernie.

At the end of the first season, Rick was fired. Not by me and for economic reasons. It was by John Wells and it was for lack of performance. He was then hired by Gideon's Crossing, where he was fired by Paul Attanassio for the same reason. - Aaron "Benjamin" Sorkin

Posted at mightybigtv.com Forum
by Aaron "Benjamin" Sorkin
June 26, 2001
***

Hey, Gang. Rick Cleveland here. First off, for anyone who's interested, my draft of the script -- I wrote three -- is available in the WGA archive. I'm pretty sure anyone who stops by can read it -- if not I'd be glad to make it available. It's called "A White House Christmas." Benjamin got that much right. The "A" story is mine -- not just the idea -- all the way down to the name of the homeless Korean War veteran, Walter Huffnagel. Even Toby's visit to his brother, although I didn't make him retarded -- Aaron did. Other stuff is also mine -- the new millennium stuff in the teaser, as well as the stuff about CJ's secret service nickname -- which was my wife's idea, yes. Aaron's a great writer, and he did a great job rewriting the script -- but he didn't write it alone. And he didn't "give" me a Written by credit -- and what galled me on Emmy night wasn't that he didn't let me speak -- it was that he ignored me completely. For the record, the writing credit on the script was indeed arbitrated by the WGA -- they decided my work warranted a Co-Writer credit on the teleplay. Also, for the record, every script written the show's first year by staff members was automatically submitted for arbitration -- at the request of John Wells -- as a measure of protection for us -- to keep Aaron from poaching or cannibalizing scripts to the point where he wouldn't have to give credit where credit was/is due. As for being fired for lack of performance, that's also not true -- at least as far as I know. The fact that Aaron, John and Tommy submitted the script that I co-wrote for Emmy, Humanitas and WGA Award consideration validates my contribution to the show -- at least I'd like to think it does. Also, I didn't get fired off "Gideon's Crossing." In closing, I'm very proud to inform you all that I'm currently working on "Six Feet Under." It's a great show, you should check it out. - Rick Cleveland

Posted at mightybigtv.com Forum
by Rick Cleveland
July 6, 2001
***
Two days of non-stop bad press later:
***

Boy, I'd kinda like to end this. So Rick? If you're out there...?

I and everyone else appreciate the contribution you made to the episode. It was crucial. I was dead wrong to imply otherwise. I deeply regret not having thanked you that night. It was nothing more than nerves. As for your not being allowed to speak, I'm sorry about that too and I wish you'd been able to, but that wasn't my call, it was the decision of Don Mischer. I thanked those involved with the pilot (really not just the pilot, but the production of the series in general) because I wasn't just the co-writer of that episode, I was also the creator and executive producer of the series, and I had no way of knowing if we'd be back up there again that night.

You wrote what I felt was an unduly nasty piece in the Writers' Guild magazine, and after I read it, I called you and I apologized. I then made arrangements for you not only to speak when accepting the Writers' Guild Award, but for you to have the entire stage to yourself that night.

The whole unfortunate incident was dragged out once again when Bernie Weinraub wrote his piece in the New York Times. I reacted too quickly to what I felt was an egregiously unfair characterization of the way writers are treated on The West Wing. Further, I'm remarkably and stupidly naive about the internet, and never imagined my response to a poster would be picked up by Slate or anyone else. The episode we did together remains one of the proudest moments of this series and of my career. I enjoyed every day of the year we worked together.

Six Feet Under is a wonderful show, I'm sure you're proud of it. I wish you nothing less than what you deserve: Health, Happiness and another Emmy.

Aaron Sorkin

Posted at mightybigtv.com Forum
by Aaron "Benjamin" Sorkin
July 8, 2001
***

Aaron,

Thank you for being such a mensch about putting what I hope will be a dignified end to this mess. The year I spent working with you on the show -- and on our episode -- remains one of the proudest experiences of my career as well. And just so you know, I never spoke with Weinraub or anyone else at the Times, nor would I have felt the need to. I hope you guys sweep the Emmy Awards once again this year. And best of luck with the third season...

Best wishes,
Rick C. - Rick Cleveland

Posted at mightybigtv.com Forum
by Rick Cleveland
July 8, 2001

Thursday, August 21, 2008

omg omg

More or less just fainted from sheer delight. Mad Men Playboy photo shoot.
(Cosgrove's always been my main man)

the perfect gift for any occasion

A cookbook titled A Treasury of Great Recipes sounds innocuous. What's frightening about noodle casserole? Why, nothing... except when it's cooked by Vincent Price.
Ha!

post-eisenhower, pre-camelot

Look what Laura sent me: Jon Hamm! Interviewed by Paul Rudd! This makes me like both of them twice as much as I already did, which I didn't think was possible.

Tuesday, August 19, 2008

post-joseph heller name dropping

Jon Stewart. The world is not only watching, they're listening. Do you know how hard it is to get people to listen?
“The Daily Show” resonates not only because it is wickedly funny but also because its keen sense of the absurd is perfectly attuned to an era in which cognitive dissonance has become a national epidemic. Indeed, Mr. Stewart’s frequent exclamation “Are you insane?!” seems a fitting refrain for a post-M*A*S*H, post-“Catch-22” reality, where the surreal and outrageous have become commonplace — an era kicked off by the wacko 2000 election standoff in Florida, rocked by the terrorist attacks of Sept. 11 and haunted by the fallout of a costly war waged on the premise of weapons of mass destruction that did not exist.
P.S. The article mentions Reza Aslan! I've totally done dinner and a movie with that guy! He's a smarty. And his book (No god but God) is pretty darn good.

my favorite was dave

Not enough people appreciated the true, hilarious genius of Titus.
"Screwed-up people settle fights through violence. This can escalate into a war that can kill millions. Normal people settle disputes over cookies, cakes, and pies. Normal people are fat."

Chris: Every woman that has ever loved my dad has tried killing him.
Erin: What's funny about that?
Chris: Laughter, absolute terror. Fine line.

Monday, August 18, 2008

let me introduce you to mason


(via Sarah Mensinga)

speaking of gossip girl

This is smart. This embraces the future of interactive media (which I've always waxed poetic about; see obsession with Henry Jenkins). And does so much more elegantly (and, I'll bet, successfully) than something like Kindle. Kindle is a monstrosity, not to mention a slap in the face to exactly what the creators thought they were supporting.

at least i didn't just admit to loving gossip girl


I am filled with such dorky, over-excited anticipation for this movie.

crime drama with a twist

Just finished watching Life. It's not half bad, especially for a pseudo-procedural (god I hate procedurals). It reminds me of a less dark "Touching Evil." The short-lived American version, that is. The British version is good, but the American version featured Jeffrey Donovan (Burn Notice), Vera Farmiga and Bradley Cooper (Kitchen Confidential, among other things). I've adored those three for many a year now. And totally called Donovan's rise to semi-stardom (just you wait, I see his fame growing at an exponential rate from here on out).

Saturday, August 16, 2008

snl's few perks

You guys been watching "The Line"? Good times.

Friday, August 15, 2008

15 bucks to get into hell

Ah man, remember Sunset Junction? Two days of too much sun, mostly shitty bands dressed in tight jeans, margarita slushies and funnel cakes. Remember seeing Ryan Gosling casing the joint with his beard and his motorcycle helmet? Let's go again this year. I think I'm ready to brave the madness.

Thursday, August 14, 2008

what was i saying about geekdom?

From Film.com: The Five Most Rabid Fanbases

I find this both funny and fun. These people are nuts, but they are also hugely entertaining. I love them. And god knows I've found myself in every single category listed at least once in my life so far.

no interest in the olympics

But Spain is awesome

"anarchy that i rule"

Geeks are about my favorite people in the world. Their rampant, eager enthusiasm is rivaled only by drug addicts and six year olds. Exhibit A:

"Horrible" crocheting and "Horrible" sheet music

Wednesday, August 13, 2008

feminism isn't really my thing, but...

Via Ausiello.
Question: As much as the female fans of Supernatural seem to hate the idea, I think that Bella and Ruby added a nice dynamic last season. Will the show's writers ever stand up to the fans and give at least one of the brothers an ongoing love interest? -- Jeff
Ausiello: Not if they value their life. And based on Eric Kripke's response to this question, I'm guessing they do. "The most dangerous job in Hollywood is to be the recurring female lead on Supernatural," Kripke laughs. "No, the formula in terms of romance that really has proven to work best for us is a girl in every port. Not that there’s not ongoing characters. But there are going to be recurring female characters threaded in and out of the story, and they will affect the storylines. But just to have them in sort of passive love interest roles is something that hasn’t really worked."
I'm sick of people who call themselves writers and yet can't seem to write a decent female role. It's just like writing the male roles, you douche. Recurring love interests don't work for you on your show, and on so many other shows, because you aren't writing the characters well. Assface.

Tuesday, August 12, 2008

i am in a promising local band

Don't know where this originated.

1. The first article title on the page is the name of your band. http://en.wikipedia.org/wiki/Special:Random

2. The last four words of the very last quote is the title of your album. http://www.quotationspage.com/random.php3

3. The third picture, no matter what it is, will be your album cover. http://www.flickr.com/explore/interesting/7days/

Here's what I got (next year's indie hit):
Band name: Thomas Shaughnessy, 1st Baron Shaughnessy
Album title: "damned lies and statistics"
Album cover: http://www.flickr.com/photos/notcatherinezeta/2756431977/

i am other people


I know I'm just falling into their trap, but aren't they adorable?

Monday, August 11, 2008

"the status is not quo"

The original trailer. Because if you somehow still haven't seen this superb bit of entertainment that "broke the internet"(*) you're... well, I was going to say either dead or Amish, but really neither is a sufficient excuse.

(*to quote Access Hollywood of all things)

tree of smoke by denis johnson

Denis Johnson is a poet. And he turns everything he touches (including the Vietnam war) into poetry.

From the rather astute New York Times review:
Johnson has always been an elusive figure, one of the last of the marginal masters. He’s not a recluse, but he’s not out humping his ego, either... More important, it has often seemed as if the books themselves — there have been six novels, a book of short stories and one of plays, three volumes of poetry and a collection of journalism — have bloomed spontaneously from the secret fissures that crisscross Americana: jail cells, bad neighborhoods, bus stations, cheap frame houses in the fields beyond the last streetlight. They’re full of deprived souls in monstrous situations, hapless pilgrims on their way to their next disaster. But unlike most books about the dispossessed, they’re original (how strange it feels to use that word these days, but it fits), and what’s more, deliriously beautiful — ravishing, painful; as desolate as Dostoyevsky, as passionate and terrifying as Edgar Allan Poe.

The story I, personally, like to tell about him takes place in Flagstaff when I was about 14 or 15. I recognized him from his dust jacket photo, standing beside me at a booksellers table outside the lecture hall where he was about to speak. I picked up a copy of Jesus’ Son, though I already had a well worn copy at home, and asked him to sign it. He refused at first. Because, he said, he didn’t want me reading it. “You’re too young for this. There are bad things in here. Not for little girls.” I said it was too late; I’d already read it twice over. He seemed simultaneously disappointed and pleased. He shook his head at me while he signed the title page. Made some comment I’ve now forgotten about corrupting small town youth. Told me to try and be more careful with what I read next.

Sunday, August 10, 2008

hometown pride

My truck is now Northern AZ friendly.


P.S. Ever wikipedia'd your hometown before? Hilarity, perhaps, will ensue.
"In 2005, Men's Journal named Flagstaff as No. 2 on its Best Places to Live list, and National Geographic cited the city in its list of '10 Great Towns That Will Make You Feel Young.'"

Saturday, August 9, 2008

beatles or stones?



(via very small array)

free the west memphis 3

Thought of this the other day out of nowhere. Good to be reminded every now and then. Wouldn't want to grow apathetic simply due to the passage of time.

Friday, August 8, 2008

because i'm a massive dork

...for NPH, that is. So sue me. Except you won't. Because deep down you know he's awesome enough to warrant such affection.



more emmy blathering

TWOP recaps some of the many injustices wrought by the Emmys over the past few years and I heartily agree. Particularly in regards to: HIMYM (NPH is utter genius, plain and simple), Battlestar Galactica, The Wire, Veronica Mars, Friday Night Lights, Buffy, Roseanne (I mean, come on) and Amy Sedaris. Michael Cera too.

(p.s. It deserves mentioning again because wtf? Boston Legal and Entourage? These shows couldn't be further from award deserving if they were airing on public access.)

Wednesday, August 6, 2008

two great tastes that taste great together



Woodworking is cool. Who doesn't find cabinet making attractive? Now multiply that by a hundred.

Tuesday, August 5, 2008

east village


Tompkins Square Park, before the brats with money moved in. As documented by Q. Sakamak.
In the end Mr. Sakamaki’s book is a valediction of sorts to lost people and a lost place that has been supplanted by a neighborhood that he finds rather sterile and uninspiring. “We lost our culture,” he said, “and we lost control of our dreams.”

Monday, August 4, 2008

david lynch's a goofy movie

A couple weeks ago, Andre and I got nostalgic about A Goofy Movie. Google yielded the following gem.

everybody loves (complaining about) the emmys

I agree with most everything twop has to say on the matter.
"[Perhaps] they're psyched that Curb Your Enthusiasm got nominated for a season that barely anyone even saw. If you're going to reward a show with a small audience, how about, say, Friday Night Lights or Battlestar Galactica instead?"

Sunday, August 3, 2008

"there is no why"


Let's have a party and see this movie.

"an all night tour of fist city"

Last night's Machine Projects Josh Bearman talk was a roaring success! Four stars! If only because it allowed the tales of Master Legend to be told.

Some notes scribbled while waiting for the thing to start: "The echo park mob is out early tonight. These are the Michael Cera's of literati. Young, awkward, not quite so talented or knowledgeable as the hype would have us believe, but always with impeccable timing. The drink is fat tire or tecate (obvious much?). Every one is vaguely familiar in that East LA way (maybe I saw you in a B movie half a dozen years ago, maybe you're the guy who never leaves the back corner of spaceland). Every man is non-threatening, skinny and pale; the defining feature being an overabundance of facial hair so as to suggest a certain manliness otherwise lacking."

It was a good time.

Saturday, August 2, 2008

"saturday" by ian mcewan

Lyrical and honest. The dust jacket doesn't lie: the last 100 pages refuses to be put down. Some quotes:

"No more big ideas. The world must improve, if at all, by tiny steps. People mostly take an existential view – having to sweep the streets for a living looks like simple bad luck. It’s not a visionary age. The streets need to be clean. Let the unlucky enlist.”
P. 74

"But is there a lifetime’s satisfaction in twelve bars of three obvious chords? Perhaps it’s one of those cases of a microcosm giving you the whole world. Like a Spode dinner plate. Or a single cell. Or, as Daisy says, like a Jane Austen novel. When player and listener together know the route so well, the pleasure is in the deviation, the unexpected turn against the grain. To see a world in a grain of sand. So it is, Perowne tries to convince himself, with clipping an aneurysm: absorbing variation on an unchanging theme.”
P. 27

“What a stroke of luck, that the woman he loves is also his wife.”
P. 38

“An so his night ends, and this is where he begins his day, at 6am, wondering whether all the essences of marital compromise have been flung carelessly into one moment: in darkness, in the missionary position, in a hurry, without preamble. But these are the externals. Now he is freed from thought, from memory, from the passing seconds and from the state of the world. Sex is a different medium, refracting time and sense, a biological hyperspace as remote from conscious existence as dreams, or as water is from air. As his mother used to say, another element; the day is changed, Henry, when you take a swim. And that day is bound to be marked out from all the rest.”
P. 50

“This is the grandeur. And a bracing kind of consolation in the brief privilege of consciousness.”
P. 56

“Cities and states beyond repair. The whole world resembling Theo’s bedroom. A race of extraterrestrial grown-ups is needed to set right the general disorder, then put every one to bed for an early night. God once was supposed to be a grown-up, but in disputes He childishly took sides. Then sending us an actual child, one of His own – the last thing we needed. A spinning rock already swarming with orphans…”
P. 122

“They are fighting over armies they will never see, about which they know almost nothing.”
P. 190

morning hike through griffith park


Felt like home. While listening to the Richard Price Bookworm podcast.

entertainment news with my coffee

Milton joins Pushing Daisies!

Have you really not seen this show yet? Where the hell ya been?

it's no 'his dark materials' but...

A female Harry Potter or a preteen Anne Rice. Either way, it would be my newest guilty pleasure if some one would buy me a copy.

[Edited to add a nytimes link as well.]

Friday, August 1, 2008

bryan fuller geek now has cat


My new best friend: Mason. Born in FLG. Now home in LA. Named after the rugged, alcoholic drug addict in Dead Like Me.

wish i was still in nyc

Where Elliott Gould goes, I follow.

occasionally a "mcsweeney's scribe" does something good

Josh Bearman at Machine Projects
August 2 at 8pm
I will be there. Will you?

this first bit of vacuity

Per Ertel Of The Night, I do in fact bear a striking resemblance to Kat Dennings (Norah):